The Return of the Soldier by Rebecca West is in the public domain and the full text can be found here. I have included context for each passage in the form of editor’s notes, which are the italicized pieces. The blue text is a link that will take you directly to the annotation page for that quote.

In this passage from chapter 2, Chris has just returned home from the hospital he was taken to after he was injured. Kitty, his wife, takes Chris to his bedroom and leaves Jenny alone to reflect on the strangeness of his homecoming.

“How you’ve forgotten!” she cried, and ran up to him, rattling her keys and looking grave with housewifery, and I was left alone with the dusk and the familiar things. The dusk flowed in wet and cool from the garden, as if to put out the fire of confusion lighted on our hearthstone, and the furniture, very visible through that soft evening opacity with the observant brightness of old, well-polished wood, seemed terribly aware. Strangeness had come into the house, and everything was appalled by it, even time. For the moments dragged. It seemed to me, half an hour later, that I had been standing for an infinite period in the drawing-room, remembering that in the old days the blinds had never been drawn in this room because old Mrs. Baldry had liked to see the night gathering like a pool in the valley while the day lingered as a white streak above the farthest hills, and perceiving in pain that the heavy blue blinds that shroud the nine windows because a lost Zeppelin sometimes clanks like a skeleton across the sky above us would make his home seem even more like prison.

In this passage from chapter 4, Chris has fled the house and come to the pond to use the boat. Margaret has been sent for and she will reunite with Chris shortly. The previous night was spent telling Jenny all about his history with Margaret and why she means so much to him.

NEXT morning it appeared that the chauffeur had taken the car up to town to get a part replaced, and Margaret could not be brought from Wealdstone till the afternoon. It fell to me to fetch her. “At least,” Kitty had said, “I might be spared that humiliation.” Before I started I went to the pond on the hill’s edge. It is a place where autumn lives for half the year, for even when the spring lights tongues of green fire in the undergrowth, and the valley shows sunlit between the tree-trunks, here the pond is fringed with yellow bracken and tinted bramble, and the water flows amber over last winter’s leaves.

Through this brown gloom, darkened now by a surly sky, Chris was taking the skiff, standing in the stern and using his oar like a gondolier. He had come down here soon after breakfast, driven from the house by the strangeness of all but the outer walls, and discontented with the grounds because everything but this wet, intractable spot bore the marks of Kitty’s genius. After lunch there had been another attempt to settle down, but with a grim glare at a knot of late Christmas roses bright in a copse that fifteen years ago had been dark he went back to the russet-eaved boat-house and this play with the skiff. It was a boy’s sport, and it was dreadful to see him turn a middle-aged face as he brought the boat inshore.

This piece comes from chapter 4 as well. During a conversation with Margaret on the way to Baldry Court, Jenny is starting to put together the pieces of the summer that Chris and Margaret broke up. Through flashbacks, she is able to remember that the Baldry family business had not been doing well and Chris was sent to Mexico to help out.

I had got the key at last. There had been a spring at Baldry Court fifteen years ago that was desolate for all that there was beautiful weather. Chris had lingered with Uncle Ambrose in his Thames-side rectory as he had never lingered before, and old Mr. Baldry was filling the house with a sense of hot, apoplectic misery. All day he was up in town at the office, and without explanation he had discontinued his noontide habit of ringing up his wife. All night he used to sit in the library looking over his papers and ledgers; often in the mornings the housemaids would find him asleep across his desk, very red, yet looking dead. The men he brought home to dinner treated him with a kindness and consideration which were not the tributes that that victorious and trumpeting personality was accustomed to exact, and in the course of conversation with them he dropped braggart hints of impending ruin which he would have found it humiliating to address to us directly. At last there came a morning when he said to Mrs. Baldry across the breakfast-table: “I’ve sent for Chris. If the boy’s worth his salt—” It was an appalling admission, like the groan of an old ship as her timbers shiver, from a man who doubted the capacity of his son, as fathers always doubt the capacity of the children born of their old age.

It was that evening, as I went down to see the new baby at the lodge, that I met Chris coming up the drive. Through the blue twilight his white face had had a drowned look. I remembered it well, because my surprise that he passed me without seeing me had made me perceive for the first time that he had never seen me at all save in the most cursory fashion. On the eye of his mind, I realized thenceforward, I had hardly impinged. That night he talked till late with his father, and in the morning he had started for Mexico to keep the mines going, to keep the firm’s head above water and Baldry Court sleek and hospitable—to keep everything bright and splendid save only his youth, which ever after that was dulled by care.

In this passage also from chapter 4, Jenny and Margaret have just pulled up to the gates of Baldry Court. This is Margaret’s first time seeing Baldry Court and because of such, Jenny is seeing Baldry Court through new eyes.

As the car swung through the gates of Baldry Court she sat up and dried her eyes. She looked out at the strip of turf, so bright that one would think it wet, and lighted here and there with snowdrops and scillas and crocuses, that runs between the drive and the tangle of silver birch and bramble and fern. There is no esthetic reason for that border; the common outside looks lovelier where it fringes the road with dark gorse and rough amber grasses. Its use is purely philosophic; it proclaims that here we esteem only controlled beauty, that the wild will not have its way within our gates, that it must be made delicate and decorated into felicity. Surely, she must see that this was no place for beauty that had been not mellowed, but lacerated, by time, that no one accustomed to live here could help wincing at such external dinginess as hers. But instead she said: “It’s a big place. Chris must have worked hard to keep all this up.” The pity of this woman was like a flaming sword. No one had ever before pitied Chris for the magnificence of Baldry Court. It had been our pretense that by wearing costly clothes and organizing a costly life we had been the servants of his desire. But she revealed the truth that, although he did indeed desire a magnificent house, it was a house not built with hands.

This last passage comes from chapter 6. After Kitty and Jenny bring many doctors to the house to try to cure Chris of his amnesia, the last doctor, Dr. Anderson, comes up with a plan to bring the “old” Chris back. The plan was for Margaret to show Chris clothing and toys that were his deceased son’s. It appeared to have worked because Jenny and Kitty, from the window, see Chris walking out of the house like a soldier.

There had fallen a twilight which was a wistfulness of the earth. Under the cedar-boughs I dimly saw a figure mothering something in her arms. Almost had she dissolved into the shadows; in another moment the night would have her. With his back turned on this fading unhappiness Chris walked across the lawn. He was looking up under his brows at the over-arching house as though it were a hated place to which, against all his hopes, business had forced him to return. He stepped aside to avoid a patch of brightness cast by a lighted window on the grass; lights in our house were worse than darkness, affection worse than hate elsewhere. He wore a dreadful, decent smile; I knew how his voice would resolutely lift in greeting us. He walked not loose-limbed like a boy, as he had done that very afternoon, but with the soldier’s hard tread upon the heel. It recalled to me that, bad as we were, we were yet not the worst circumstance of his return. When we had lifted the yoke of our embraces from his shoulders he would go back to that flooded trench in Flanders, under that sky more full of flying death than clouds, to that No-Man’s-Land where bullets fall like rain on the rotting faces of the dead.